http://www.dimitrytetin.com Dimitry Tetin Mon, 04 Jul 2011 13:02:24 +0000 http://www.dimitrytetin.com en http://dimitrytetin.com/Close-Not-Far-Publishers http://dimitrytetin.com/following/dimitrytetin.com/Close-Not-Far-Publishers Mon, 04 Jul 2011 13:02:24 +0000 Dimitry Tetin 1681037 Close Not Far Publishers The Close Not Far Project is a frame that holds many different projects and proposals that allows me to test out and develop my thesis ideas farther. Part speculative travel guide publisher, part graphic design studio, I am proposing that Close Not Far Publishers traverse the area between perception and experience of place and explore what it means to travel to places on foot, in the imagination or via the internet. It’s website that will offer downloadable PDF’s to tours I direct as well as information about other projects and future proposals that transform public places and encourage further conversations about what it means to be in a place and how different narratives and technology shape our perception of it. <img src="http://payload.cargocollective.com/1/2/88139/1681037/IdentitySkethes-02_860.jpg" width="792" height="613" width_o="792" height_o="613" src_o="http://payload.cargocollective.com/1/2/88139/1681037/IdentitySkethes-02_o.jpg" data-mid="8251356" border="0" align="left"/> Close Not Far Publishers The Close Not Far Project is a frame that holds many different projects and proposals that allows me to test out and develop my thesis... http://dimitrytetin.com/Chicago-Tribune-07-08 http://dimitrytetin.com/following/dimitrytetin.com/Chicago-Tribune-07-08 Thu, 16 Jun 2011 18:44:59 +0000 Dimitry Tetin 1599969 Chicago Tribune ’07-’08 A selection of section covers that I art directed (conceptualizing the visual solution, working with photographers and stylists in the studio, assigning the execution of a concept to an illustrator) and designed. They ran in the Chicago Tribune in ’07-’08. <img src="http://payload.cargocollective.com/1/2/88139/1599969/Tribune1.jpg" width="590" height="849" width_o="590" height_o="849" src_o="http://payload.cargocollective.com/1/2/88139/1599969/Tribune1_o.jpg" data-mid="7860545" border="0" align="left"/><img src="http://payload.cargocollective.com/1/2/88139/1599969/Tribune2.jpg" width="589" height="926" width_o="589" height_o="926" src_o="http://payload.cargocollective.com/1/2/88139/1599969/Tribune2_o.jpg" data-mid="7860546" border="0" align="left"/><img src="http://payload.cargocollective.com/1/2/88139/1599969/Tribune3.jpg" width="590" height="746" width_o="590" height_o="746" src_o="http://payload.cargocollective.com/1/2/88139/1599969/Tribune3_o.jpg" data-mid="7860547" border="0" align="left"/><img src="http://payload.cargocollective.com/1/2/88139/1599969/Tribune4.5.jpg" width="589" height="912" width_o="589" height_o="912" src_o="http://payload.cargocollective.com/1/2/88139/1599969/Tribune4.5_o.jpg" data-mid="7860548" border="0" align="left"/><img src="http://payload.cargocollective.com/1/2/88139/1599969/Tribune4.jpg" width="591" height="1026" width_o="591" height_o="1026" src_o="http://payload.cargocollective.com/1/2/88139/1599969/Tribune4_o.jpg" data-mid="7860549" border="0" align="left"/><img src="http://payload.cargocollective.com/1/2/88139/1599969/Tribune5.jpg" width="590" height="1001" width_o="590" height_o="1001" src_o="http://payload.cargocollective.com/1/2/88139/1599969/Tribune5_o.jpg" data-mid="7860551" border="0" align="left"/><img src="http://payload.cargocollective.com/1/2/88139/1599969/Tribune6.jpg" width="595" height="1073" width_o="595" height_o="1073" src_o="http://payload.cargocollective.com/1/2/88139/1599969/Tribune6_o.jpg" data-mid="7860552" border="0" align="left"/><img src="http://payload.cargocollective.com/1/2/88139/1599969/Tribune8.jpg" width="592" height="1086" width_o="592" height_o="1086" src_o="http://payload.cargocollective.com/1/2/88139/1599969/Tribune8_o.jpg" data-mid="7860553" border="0" align="left"/><img src="http://payload.cargocollective.com/1/2/88139/1599969/Tribune9.jpg" width="589" height="842" width_o="589" height_o="842" src_o="http://payload.cargocollective.com/1/2/88139/1599969/Tribune9_o.jpg" data-mid="7860554" border="0" align="left"/><img src="http://payload.cargocollective.com/1/2/88139/1599969/Tribune10.jpg" width="591" height="740" width_o="591" height_o="740" src_o="http://payload.cargocollective.com/1/2/88139/1599969/Tribune10_o.jpg" data-mid="7860555" border="0" align="left"/><img src="http://payload.cargocollective.com/1/2/88139/1599969/Tribune11.jpg" width="588" height="760" width_o="588" height_o="760" src_o="http://payload.cargocollective.com/1/2/88139/1599969/Tribune11_o.jpg" data-mid="7860557" border="0" align="left"/><img src="http://payload.cargocollective.com/1/2/88139/1599969/Tribune12.jpg" width="589" height="913" width_o="589" height_o="913" src_o="http://payload.cargocollective.com/1/2/88139/1599969/Tribune12_o.jpg" data-mid="7860560" border="0" align="left"/><img src="http://payload.cargocollective.com/1/2/88139/1599969/Tribune13.jpg" width="590" height="858" width_o="590" height_o="858" src_o="http://payload.cargocollective.com/1/2/88139/1599969/Tribune13_o.jpg" data-mid="7860561" border="0" align="left"/><img src="http://payload.cargocollective.com/1/2/88139/1599969/Tribune14.jpg" width="584" height="791" width_o="584" height_o="791" src_o="http://payload.cargocollective.com/1/2/88139/1599969/Tribune14_o.jpg" data-mid="7860562" border="0" align="left"/><img src="http://payload.cargocollective.com/1/2/88139/1599969/Tribune15.jpg" width="590" height="533" width_o="590" height_o="533" src_o="http://payload.cargocollective.com/1/2/88139/1599969/Tribune15_o.jpg" data-mid="7860563" border="0" align="left"/><img src="http://payload.cargocollective.com/1/2/88139/1599969/Tribune16.jpg" width="588" height="1087" width_o="588" height_o="1087" src_o="http://payload.cargocollective.com/1/2/88139/1599969/Tribune16_o.jpg" data-mid="7860564" border="0" align="left"/><img src="http://payload.cargocollective.com/1/2/88139/1599969/Tribune17.jpg" width="585" height="660" width_o="585" height_o="660" src_o="http://payload.cargocollective.com/1/2/88139/1599969/Tribune17_o.jpg" data-mid="7860565" border="0" align="left"/><img src="http://payload.cargocollective.com/1/2/88139/1599969/Tribune18.jpg" width="587" height="1061" width_o="587" height_o="1061" src_o="http://payload.cargocollective.com/1/2/88139/1599969/Tribune18_o.jpg" data-mid="7860567" border="0" align="left"/><img src="http://payload.cargocollective.com/1/2/88139/1599969/Tribune19.jpg" width="591" height="998" width_o="591" height_o="998" src_o="http://payload.cargocollective.com/1/2/88139/1599969/Tribune19_o.jpg" data-mid="7860569" border="0" align="left"/><img src="http://payload.cargocollective.com/1/2/88139/1599969/Tribune20.jpg" width="590" height="1066" width_o="590" height_o="1066" src_o="http://payload.cargocollective.com/1/2/88139/1599969/Tribune20_o.jpg" data-mid="7860570" border="0" align="left"/><img src="http://payload.cargocollective.com/1/2/88139/1599969/Tribune21.jpg" width="590" height="1000" width_o="590" height_o="1000" src_o="http://payload.cargocollective.com/1/2/88139/1599969/Tribune21_o.jpg" data-mid="7860571" border="0" align="left"/><img src="http://payload.cargocollective.com/1/2/88139/1599969/Tribune22.jpg" width="587" height="937" width_o="587" height_o="937" src_o="http://payload.cargocollective.com/1/2/88139/1599969/Tribune22_o.jpg" data-mid="7860572" border="0" align="left"/><img src="http://payload.cargocollective.com/1/2/88139/1599969/Tribune23.jpg" width="588" height="816" width_o="588" height_o="816" src_o="http://payload.cargocollective.com/1/2/88139/1599969/Tribune23_o.jpg" data-mid="7860575" border="0" align="left"/><img src="http://payload.cargocollective.com/1/2/88139/1599969/Tribune24.jpg" width="590" height="656" width_o="590" height_o="656" src_o="http://payload.cargocollective.com/1/2/88139/1599969/Tribune24_o.jpg" data-mid="7860576" border="0" align="left"/><img src="http://payload.cargocollective.com/1/2/88139/1599969/Tribune25.jpg" width="591" height="948" width_o="591" height_o="948" src_o="http://payload.cargocollective.com/1/2/88139/1599969/Tribune25_o.jpg" data-mid="7860578" border="0" align="left"/><img src="http://payload.cargocollective.com/1/2/88139/1599969/Tribune26.jpg" width="589" height="723" width_o="589" height_o="723" src_o="http://payload.cargocollective.com/1/2/88139/1599969/Tribune26_o.jpg" data-mid="7860579" border="0" align="left"/><img src="http://payload.cargocollective.com/1/2/88139/1599969/Tribune27.jpg" width="590" height="758" width_o="590" height_o="758" src_o="http://payload.cargocollective.com/1/2/88139/1599969/Tribune27_o.jpg" data-mid="7860580" border="0" align="left"/><img src="http://payload.cargocollective.com/1/2/88139/1599969/Tribune28.jpg" width="590" height="940" width_o="590" height_o="940" src_o="http://payload.cargocollective.com/1/2/88139/1599969/Tribune28_o.jpg" data-mid="7860581" border="0" align="left"/><img src="http://payload.cargocollective.com/1/2/88139/1599969/Tribune29.jpg" width="589" height="1024" width_o="589" height_o="1024" src_o="http://payload.cargocollective.com/1/2/88139/1599969/Tribune29_o.jpg" data-mid="7860582" border="0" align="left"/><img src="http://payload.cargocollective.com/1/2/88139/1599969/Tribune30.jpg" width="588" height="989" width_o="588" height_o="989" src_o="http://payload.cargocollective.com/1/2/88139/1599969/Tribune30_o.jpg" data-mid="7860583" border="0" align="left"/> Chicago Tribune ’07-’08 A selection of section covers that I art directed (conceptualizing the visual solution, working with photographers and stylists in the... http://dimitrytetin.com/Nate-Burkis-Show http://dimitrytetin.com/following/dimitrytetin.com/Nate-Burkis-Show Thu, 16 Jun 2011 18:05:14 +0000 Dimitry Tetin 1599971 Nate Burkis I was very fortunate to spend a few weeks in the summer of 2010 in the studio of Sarofsky Corp. Along with helping out on other projects, I was able to help them with some of the design work on the bumpers, on set graphics, and info graphics for Nate Burkis Show graphics package. Below are some examples of the bumpers. <img src="http://payload.cargocollective.com/1/2/88139/1599971/UPNEXTSUNIFIED-04_860.jpg" width="860" height="483" width_o="1920" height_o="1080" src_o="http://payload.cargocollective.com/1/2/88139/1599971/UPNEXTSUNIFIED-04_o.jpg" data-mid="7859607" border="0" align="left"/><img src="http://payload.cargocollective.com/1/2/88139/1599971/UPNEXTSUNIFIED-02_860.jpg" width="860" height="483" width_o="1920" height_o="1080" src_o="http://payload.cargocollective.com/1/2/88139/1599971/UPNEXTSUNIFIED-02_o.jpg" data-mid="7859604" border="0" align="left"/><img src="http://payload.cargocollective.com/1/2/88139/1599971/UPNEXTSUNIFIED-05_860.jpg" width="860" height="483" width_o="1920" height_o="1080" src_o="http://payload.cargocollective.com/1/2/88139/1599971/UPNEXTSUNIFIED-05_o.jpg" data-mid="7859609" border="0" align="left"/><img src="http://payload.cargocollective.com/1/2/88139/1599971/UPNEXTSUNIFIED-07_860.jpg" width="860" height="483" width_o="1920" height_o="1080" src_o="http://payload.cargocollective.com/1/2/88139/1599971/UPNEXTSUNIFIED-07_o.jpg" data-mid="7859612" border="0" align="left"/> Nate Burkis I was very fortunate to spend a few weeks in the summer of 2010 in the studio of Sarofsky Corp. Along with helping out on other projects, I was able to... http://dimitrytetin.com/Shameless-Opening-Pitch http://dimitrytetin.com/following/dimitrytetin.com/Shameless-Opening-Pitch Thu, 16 Jun 2011 17:44:29 +0000 Dimitry Tetin 1599977 Shameless Opening Pitch I was very fortunate to spend a few weeks in the summer of 2010 in the studio of Sarofsky Corp. Along with helping out on other projects, I created this storyboard as part of their pitch for the opening title to Showtime's Shameless. In this main title treatment I created a meaningful connection between the characters of Shameless and our reality. Every one of us engages in shameless behavior to a certain degree. By combining everyday scenes with the informational language of percentagesand surveys, we show how commonplace "shameless" behavior can be.Title frames slide in from left to right to replace the images of everyday scenes. The clean typography of the names contrasts sharply with the opinionated scrawl of the informational frames, setting apart the titling information as well as creating meaningful pauses. The end result of the opening brings Shameless out of the exotic and into the viewer's consciousness, bringing the viewer into the Shameless family. <img src="http://payload.cargocollective.com/1/2/88139/1599977/Shameless1_860.jpg" width="860" height="293" width_o="2048" height_o="697" src_o="http://payload.cargocollective.com/1/2/88139/1599977/Shameless1_o.jpg" data-mid="7858993" border="0" align="left"/><img src="http://payload.cargocollective.com/1/2/88139/1599977/Shameless2_860.jpg" width="860" height="293" width_o="2048" height_o="697" src_o="http://payload.cargocollective.com/1/2/88139/1599977/Shameless2_o.jpg" data-mid="7858995" border="0" align="left"/><img src="http://payload.cargocollective.com/1/2/88139/1599977/Shameless3_860.jpg" width="860" height="293" width_o="2048" height_o="697" src_o="http://payload.cargocollective.com/1/2/88139/1599977/Shameless3_o.jpg" data-mid="7858996" border="0" align="left"/><img src="http://payload.cargocollective.com/1/2/88139/1599977/Shameless4_860.jpg" width="860" height="293" width_o="2048" height_o="697" src_o="http://payload.cargocollective.com/1/2/88139/1599977/Shameless4_o.jpg" data-mid="7858998" border="0" align="left"/><img src="http://payload.cargocollective.com/1/2/88139/1599977/Shameless5_860.jpg" width="860" height="293" width_o="2048" height_o="697" src_o="http://payload.cargocollective.com/1/2/88139/1599977/Shameless5_o.jpg" data-mid="7859000" border="0" align="left"/><img src="http://payload.cargocollective.com/1/2/88139/1599977/Shameless6_860.jpg" width="860" height="293" width_o="2048" height_o="697" src_o="http://payload.cargocollective.com/1/2/88139/1599977/Shameless6_o.jpg" data-mid="7859002" border="0" align="left"/> Shameless Opening Pitch I was very fortunate to spend a few weeks in the summer of 2010 in the studio of Sarofsky Corp. Along with helping out on other projects, I... http://dimitrytetin.com/F-Newsmagazine http://dimitrytetin.com/following/dimitrytetin.com/F-Newsmagazine Thu, 16 Jun 2011 16:18:34 +0000 Dimitry Tetin 1599967 A selection of covers and spreads I designed in my time as editor and art editor of f Newsmagazine, the School of the Art Institute of Chicago's monthly student newsmagazine. I designed the lay outsfor the interviews I was fortunate enough to do with art critics Arthur Danto and Michael Brenson. <img src="http://payload.cargocollective.com/1/2/88139/1599967/Danto_Spread_860.jpg" width="860" height="664" width_o="2048" height_o="1582" src_o="http://payload.cargocollective.com/1/2/88139/1599967/Danto_Spread_o.jpg" data-mid="7856508" border="0" align="left"/><img src="http://payload.cargocollective.com/1/2/88139/1599967/Bresnon_Spread_860.jpg" width="860" height="664" width_o="2048" height_o="1582" src_o="http://payload.cargocollective.com/1/2/88139/1599967/Bresnon_Spread_o.jpg" data-mid="7856517" border="0" align="left"/><img src="http://payload.cargocollective.com/1/2/88139/1599967/F_Covers_860.jpg" width="860" height="665" width_o="1000" height_o="774" src_o="http://payload.cargocollective.com/1/2/88139/1599967/F_Covers_o.jpg" data-mid="7856619" border="0" align="left"/> A selection of covers and spreads I designed in my time as editor and art editor of f Newsmagazine, the School of the Art Institute of Chicago's monthly student... http://dimitrytetin.com/Transformations http://dimitrytetin.com/following/dimitrytetin.com/Transformations Thu, 16 Jun 2011 15:24:17 +0000 Dimitry Tetin 1599963 Transformations Two posters built around the theme of transformation. The first is about the work of the Farm Security Administration which sent out photographers to document the negative impact of the Great Depression, farm mechanization, and the Dust Bowl in an attemptto bring attention to the plight of rural America. The second is about the assassination of Archduke Franz Ferdinand of Austria by Gavrilo Princip (who was tuberculotic) in Sarajevo, an event which signaled the beginning of WWI. <img src="http://payload.cargocollective.com/1/2/88139/1599963/FSA_860.jpg" width="860" height="987" width_o="2048" height_o="2350" src_o="http://payload.cargocollective.com/1/2/88139/1599963/FSA_o.jpg" data-mid="7855031" border="0" align="left"/><img src="http://payload.cargocollective.com/1/2/88139/1599963/Princip_860.jpg" width="860" height="903" width_o="2000" height_o="2100" src_o="http://payload.cargocollective.com/1/2/88139/1599963/Princip_o.jpg" data-mid="7855034" border="0" align="left"/> Transformations Two posters built around the theme of transformation. The first is about the work of the Farm Security Administration which sent out photographers... http://dimitrytetin.com/Splenda http://dimitrytetin.com/following/dimitrytetin.com/Splenda Wed, 15 Jun 2011 22:18:22 +0000 Dimitry Tetin 1599856 An exercise in generation of visual material, meaning and message from a single object. In this case a packet of Splenda sweetener. <img src="http://payload.cargocollective.com/1/2/88139/1599856/SplendaGDShow_860.jpg" width="860" height="1317" width_o="903" height_o="1383" src_o="http://payload.cargocollective.com/1/2/88139/1599856/SplendaGDShow_o.jpg" data-mid="7837372" border="0" align="left"/> An exercise in generation of visual material, meaning and message from a single object. In this case a packet of Splenda sweetener. http://dimitrytetin.com/Respond-Design-Open http://dimitrytetin.com/following/dimitrytetin.com/Respond-Design-Open Wed, 15 Jun 2011 22:00:22 +0000 Dimitry Tetin 1599789 In late fall of 2010 I was asked to create a short opening sequence that would be played at the beginning of RISD Respond Design's Sustainability Film Series. Music by Cut Copy. In late fall of 2010 I was asked to create a short opening sequence that would be played at the beginning of RISD Respond Design's Sustainability Film Series.... http://dimitrytetin.com/Dictionary http://dimitrytetin.com/following/dimitrytetin.com/Dictionary Wed, 15 Jun 2011 20:41:27 +0000 Dimitry Tetin 1599615 Dictionary 3-D renderings of typography that becomes architectural, as the camera takes the viewer through the spaces between letters to reveal definitions of terms that have meaning in both the language of typography and space. I also created a sketch for a motion piece using Maya and After Effects that animates the movement through 3-D typography in search of definitions. <img src="http://payload.cargocollective.com/1/2/88139/1599615/face_860.jpg" width="860" height="688" width_o="1280" height_o="1024" src_o="http://payload.cargocollective.com/1/2/88139/1599615/face_o.jpg" data-mid="7836474" border="0" align="left"/><img src="http://payload.cargocollective.com/1/2/88139/1599615/foot2_860.jpg" width="860" height="688" width_o="1280" height_o="1024" src_o="http://payload.cargocollective.com/1/2/88139/1599615/foot2_o.jpg" data-mid="7836478" border="0" align="left"/><img src="http://payload.cargocollective.com/1/2/88139/1599615/line_860.jpg" width="860" height="688" width_o="1280" height_o="1024" src_o="http://payload.cargocollective.com/1/2/88139/1599615/line_o.jpg" data-mid="7836480" border="0" align="left"/><img src="http://payload.cargocollective.com/1/2/88139/1599615/line2_860.jpg" width="860" height="688" width_o="1280" height_o="1024" src_o="http://payload.cargocollective.com/1/2/88139/1599615/line2_o.jpg" data-mid="7836481" border="0" align="left"/><img src="http://payload.cargocollective.com/1/2/88139/1599615/meter_860.jpg" width="860" height="688" width_o="1280" height_o="1024" src_o="http://payload.cargocollective.com/1/2/88139/1599615/meter_o.jpg" data-mid="7836482" border="0" align="left"/> Dictionary 3-D renderings of typography that becomes architectural, as the camera takes the viewer through the spaces between letters to reveal definitions of... http://dimitrytetin.com/About-Dimitry-Tetin http://dimitrytetin.com/following/dimitrytetin.com/About-Dimitry-Tetin Wed, 15 Jun 2011 16:01:23 +0000 Dimitry Tetin 1598255 I hold a BA from the University of Chicago where I studied Eastern and Central European Literature, Ecology and Evolutionary Biology. An interest in semiotics and critical theory led me to study typography and visual communication at the School of the Art Institute of Chicago, where I received my BFA in 2006. Since then I had been working for the Chicago Tribune focusing on editorial design, illustration and art direction for Tribune’s wide portfolio of feature sections. I recently completed my MFA in Graphic Design from RISD. Design Experience Graphic Design/Animation Intern, Sarofsky Corp, Chicago, 06/10—08/10 Art Director, Features, Chicago Tribune,11/06—04/09 Associate Editorial Designer, RedEye, Chicago, 06/06—08/06 Art Director, f News, The School of the Art Institute of Chicago, 01/06—05/06 Editor, f News, The School of the Art Institute of Chicago, 01/04—09/05 Associate Exhibitions Designer, The Field Museum, Chicago, 06/05—08/05 Writer, In the Field, The Field Museum, Chicago, 06/04—08/04 Teaching Experience Section Leader, History of Graphic Design. Douglass Scott , RISD, Providence, 02/11—05/11 Instructor, Visual Thinking, RISD Continuing Education, Providence, 09/10—12/10 Teaching Assistant, Making Meaning. Thomas Wedell, RISD, Providence, 09/10—12/10 Teaching Assistant, Typography II. Franz Werner, RISD, Providence, 02/10—05/10 Awards Society of Newspaper Design: '07, '08 Student Society of Newspaper Design: '05, '06 Illinois College Press Association: '06 Work appeared in Best of Newspaper Design (Ed. 29, 30), Society of Newspaper Design, Rockport Publishers. Design Studies: Theory and Research in Graphic Design. Ed. Audrey Bennett. Int. by Steven Heller. Princeton Architectural Press, NY, 2006 Exhibitions RISD 2011 Graduate Thesis Exibition (2011, Rhode Island Convention Center, Providence, RI) Totemic (2010, Gelman Gallery, Chace Center, Providence, RI) RISD Graphic Design Triennial (2010, Woods-Gerry Gallery, Providence, RI) $7/Per Square Foot (2009, RISD Graduate Graphic Design Show, Sol-Koffler Gallery, Providence, RI) Please email me if you would like a copy of my resume or have any questions. I hold a BA from the University of Chicago where I studied Eastern and Central European Literature, Ecology and Evolutionary Biology. An interest in semiotics and...